I gather our story team, our writers, our storyboard artists, and directors, and we'll come up with ideas for stories. PR: We try to create as collaborative of an environment as we can. So, I gather up as many talented people as I can and make them do all the work, and then stamp my name on the front.ĭS: Sounds like a great gig if you can get it. Paul Rudish: Well, on the new Wonderful World of Mickey Mouse series, I’m the executive producer and supervising director. He shared his insights on the show’s storyboard-driven development process, and how his team of artists and writers collaborates to bring new stories, gags, and villains, to the screen.ĭan Sarto: You’ve got a new show and a new set of Mickey Mouse shorts that launch on his birthday! What can you tell us about the new The Wonderful World of Mickey Mouse series? Just like in 2015, right before the Mickey Mouse shorts Season 3 premiere, we once again speak with Ruddish about his latest take on some of Disney’s most revered and iconic characters. A graduate of the CalArts animation program, Rudish’s additional credits include development on My Little Pony: Friendship Is Magic and storyboarding Disney XD's Tron: Uprising. He also served as art director on Star Wars: Clone Wars and was co-creator of Sym-Bionic Titan. He’s been involved in many well-known shows he helped develop and direct the hit series Dexter's Laboratory, Samurai Jack, and The Powerpuff Girls for Cartoon Network. Rudish, a 25-year animation veteran, was also executive producer and supervising director of the Mickey Mouse shorts series.
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